‘Moscas (Flies)’ Review: Mexican Director Fernando Eimbcke Returns to His Roots With Simple, Sweet, Emotionally Resonant B&W Charmer

‘How to Make a Killing’ Review: Glen Powell’s Star Power Proves Limited in Bland Black Comedy

‘The Wrecking Crew’ Director Angel Manuel Soto Tells Andy Muschietti His Sequel Dreams

‘A New Dawn’ Review: A Muddled but Strikingly Dreamy Animé About Firework Production

‘The Dreadful’ Review: Sophie Turner and Kit Harington Reunite for a Tedious Horror Film Almost Redeemed by a Bonkers Marcia Gay Harden

‘The Blood Countess’ Review: Isabelle Huppert Sinks Her Teeth Into a Juicy Slice of Vampire Camp That Looks Ravishing but Wears Thin

‘The Red Hangar’ Director on His Timely Fiction Feature Debut About Moral Dilemmas and a “Gesture of Humanity Amidst  Barbarism”